Smell My Feet! The 20 Best Halloween Movies to Watch Right Now

Whether it’s you or your kids who don’t do well with scary movies, Casper is a safe bet for universally beloved Halloween viewing. While the character of Casper the Friendly Ghost originally charmed audiences in 1940s cartoons, this film adds a bit more depth by exploring Casper’s backstory and touching on themes of grief and loss. Overall, it’s more amusing than frightening, but its eerie setting and host of ghosts will definitely get both kids and adults in the Halloween spirit. —Logan Jones, Junior Staff Writer

Every Halloween in a cursed, nameless midwestern small town, the demonic, pumpkin-headed scarecrow Sawtooth Jack descends from his post to kill. The town has a creative way to solve the problem: Lock up every teen boy, starve them for three days, then set them loose to kill Jack and eat his candy guts. The boy who kills the creature—before midnight, or bad stuff happens—gets $25,000, a new car, and the hell out of town, which is safe until next Halloween. But there’s a sacrificial twist to the contest, and the younger brother of last year’s winner aims to end the curse. Director David Slade (Hard Candy, 30 Days of Night, Black Mirror: Bandersnatch) adapts cult horror/crime author Norman Partridge’s 2006 novella. —Randy Harward, Senior Staff Writer

Just because a demented Easter bunny is the film’s monster doesn’t mean Donnie Darko isn’t still one of the ultimate Halloween movies. Set in October in the late ‘80s, the movie focuses on troubled teen Donnie Darko (Jake Gyllenhaal), who survives a freak accident by sleepwalking. Lured out of danger by a figure in a terrifying rabbit costume, Donnie is told the world will end in 28 days… or will it? Throw in teen angst and time travel, and you have a totally disturbing cult classic. —Logan Jones, Junior Staff Writer

A murderous, Satan-worshiping grandpa (who switches between a bumpkin accent and something more fabulous) has given his grandson black magic lessons since childhood. Now grown, the boy is devoted to Satan—and, it appears, planning to don a weird, tusked mask and slash it up on Halloween night just like some kinda prophecy foretold. That’s all great and everything, but what really makes Hack-O-Lantern fun is the cheesy ‘80s devil music, gratuitous nudity, inexplicable stand-up comedy interlude, and some goofy performances—the standout being Queen Grandpa’s bug-eyed overacting. —Randy Harward, Senior Staff Writer

If you wanna freak yourself out on Halloween, watch Halloween. John Carpenter’s seminal slasher film ignited the 1978–1984 slasher movie boom—and it’s legitimately scary. After showing us six-year-old Michael Myer’s first gruesome murder on Halloween 1963, Carpenter fast-forwards to Halloween 1978. The fictional town of Haddonfield, Illinois, hasn’t forgotten about Michael, but after 15 years, it feels almost like a normal Halloween night. So, of course, Michael busts outta the mental hospital, steals a car, and stalks Laurie Strode (Jamie Lee Curtis, the world’s foremost final girl) until dark—when he gets his stab on. Iconic, disturbing, perfect horror for the holiday. —Randy Harward, Senior Staff Writer

Leaving behind the Michael Myers story, Halloween III: Season of the Witch is a standalone sci-fi thriller that’s as goofy as they come. It’s also wildly entertaining. Tom Atkins stars as Daniel Challis, an alcoholic doctor drawn into a bizarre mystery when one of his patients is murdered by a well-dressed assailant. Baffled by the incident, Daniel teams up with the victim’s daughter to investigate the suspicious Silver Shamrock Novelties company. What unfolds is a story involving androids, Celtic magic, freaky Halloween masks, and a catchy TV jingle that’s impossible to forget. We particularly love John Carpenter and Alan Howarth’s synth score, which puts this movie more in line with They Live than Halloween. —Taylor Kujawa, Sports Editor

Extreme haunted houses let you sign a waiver allowing the actors to touch you. No, thank you. These people are strangers—who knows if they even wash their hands? Worse, what if they’re like the creeps in Haunt, who have a very loose interpretation of the contact contract? In this film by A Quiet Place writers Scott Beck and Bryan Woods, six twentysomethings give the contractual inch while the haunted-house “actors” take … their lives. You probably saw that coming—but Haunt has scary, squishy, sadistic surprises around every corner. If you’re drawn to the idea of extreme haunted house experiences, you’ll probably change your mind after watching this one. —Randy Harward, Senior Staff Writer

In this classic from 1966, Charlie Brown’s friend Linus eagerly awaits a visit from the Great Pumpkin, Santa’s lesser-known rival. Nobody else believes he exists, but Linus is determined to meet him. It may have come out almost 60 years ago, but you can never watch The Great Pumpkin too many times, even if it and all of the other Peanuts TV specials are paywalled behind an Apple TV+ subscription for the foreseeable future. —Olivia Bono, Staff Writer

This Chiodo Brothers clown-horror classic (the practical effects masters’ only film) doesn’t happen at Halloween. But it sure has that freaky-fun Halloween vibe. One night, a circus tent-shaped ship lands in a small town. Its clown-creature crew unleashes three rings of hell, committing mischievous murders like some trick-or-treaters play tricks. Humans die by popcorn rifle, cotton-candy cocoons, and even shadow-puppet dinosaurs. That sounds like Halloween to us. Rated PG-13, Killer Klowns from Outer Space is still scary, but it’s safe to show the whole family. You know, as long as none of them are scared of clowns. —Randy Harward, Senior Staff Writer

Did you ever see a dream walking? Nine-year-old Frankie Scarlatti did when trapped in his school’s cloakroom on Halloween night. It was there that he witnessed a ghostly replay of a young girl’s murder and nearly succumbed to death himself. While recovering, Frankie forms a bond with the apparition and attempts to solve her decade-old murder once and for all.

Set in a quiet town during the 1960s, Frank LaLoggia’s Lady in White is a creepy supernatural mystery wrapped in a coming-of-age tale. It performed poorly at the box office during its initial release but gained wider appreciation on home video. —Taylor Kujawa, Sports Editor

Set on Halloween night 1977, Aussie filmmakers Colin and Cameron Cairnes’ Late Night with the Devil is the perfect gather-’round-the-TV movie for this year’s festivities. The found-footage documentary engages you on two levels. You feel like a fly on the wall in the studio with Jack Delroy (David Dastmalchian), but also like a regular American watching a popular late-night talk show with the fam from the comfort of home. This, while the film dials up the creeps until “Mr. Wriggles” squeezes himself into the show’s lineup—and the proverbial substance hits the fan. When you realize why everything happens, and what it all means, you might be too shook to eat your Halloween treats. —Randy Harward, Senior Staff Writer

Demonic–possession films like Demons, The Evil Dead, and Night of the Demons destroyed me as a teenager. It was the ‘80s—when 4 out of 5 doctors agreed you could totally catch demonic possession from listening to Bon Jovi. The films’ rabid, murderous, hard-to-kill creatures with their oozing wounds, slobbery maws, guttural voices, and entreaties to “join us!” really set off my Satanic panic. Even so, I totally wanted in on the Night of the Demons action. Cool punk rockers partying in an abandoned house on Halloween night? Awesome! But when the demons showed up—and lipstick became a weapon (you’ll see)—I cried for mommy. —Randy Harward, Senior Staff Writer

ParaNorman is a gorgeous stop-motion film about an outcast kid who can talk to ghosts. Unfortunately, things go wrong when he’s unable to fulfill a local ghost’s final wish and accidentally raises an army of the dead. If he wants to save the town, he’ll have to learn more about its dark past and the witch that cursed it. —Olivia Bono, Staff Writer

Does a Halloween movie have to be set during spooky season? Not necessarily. The holiday doesn’t feature in 1975’s The Rocky Horror Picture Show—but fans worldwide have staged audience-participation screenings at Halloween since 1976. Why? The movie-musical’s campy sci-fi/horror spirit fits the occasion like fishnet stockings on Tim Curry. Richard O’Brien’s creation (the film adapts his stage production) is utterly cool, ridiculously fun, and kinda creepy—and all of the songs are slappers. Best of all, like Halloween, The Rocky Horror Picture Show is always a good time. —Randy Harward, Senior Staff Writer

Tales of Halloween crams 10 horror shorts from 11 noteworthy directors (Axelle Carolyn, Neil Marshall, John Skipp, Lucky McKee, into 92 minutes—with scream queen Adrienne Barbeau handling the wraparound as a radio DJ. She spins gory stories about a slasher whose parents never let him eat his trick-or-treats, a Halloween prankster who gets a masterclass from his diabolical neighbor, a baby-hungry witch, a hyperactive imp, vengeful trick-or-treaters, and more. The fun-size stories are all pretty sweet. Several of the films include cameos from horror figures like John Landis, Adam Green, Pollyanna McIntosh, Mick Garris, Joe Dante, Barry Bostwick, Lin Shaye, and Barbara Crampton. —Randy Harward, Senior Staff Writer

For those who think they can handle boss-level killer clowns, meet Damien Leone’s hot new slasher Art the Clown. Art gets down on Halloween, and his name is apt. Brilliant, twisted, and messy, the mute killer is the Leonardo da Vinci—and the Salvador Dalí, and the Jackson Pollock—of blood and guts. Art is also a merry prankster who’ll blow up your bathroom before he carves your head like a pumpkin. If you’re not already coulrophobic, Art will fix that—with a rusty hacksaw. That’s not remotely a joke, folks. Although Art gets up to some fairly gnarly stuff beforehand, Terrifier’s hacksaw scene will break you. —<em>Randy Harward, Senior Staff Writer</em>

So the hacksaw scene didn’t scare you off? Well, enjoy Terrifier 2, (fellow) sickos. It’s somehow even gorier than the first film, and has a way better story, silencing naysayers who complained about the first Terrifier’s plot shortcomings and performances. Set on Halloween again (a year after the first film), Art the Clown’s latest bloody rampage manages to mutilate another taboo or two over its excessive 150-minute run time. Here’s an idea: Manufacture your own terrifying Halloween by watching both Terrifier movies while handing out candy to trick-or-treaters. If someone comes dressed as Art, it’ll make watching the movies extra terrifying. —Randy Harward, Senior Staff Writer

So there’s this rock ‘n’ roll nerd, Ragman, who looks like Skippy from Family Ties (because he is). Already an outcast at school, Ragman’s life gets even worse when his favorite rock star, Sammi Curr, dies. Hoping to cheer the kid up, a sympathetic disc jockey (Kiss’ Gene Simmons) gives Ragman the only known copy of Curr’s final album. Playing the record, however, resurrects Curr—now 100% more Satanic—who starts killin’. More goofy than spooky, Trick or Treat is still a fun throwback watch with a kickass heavy metal soundtrack by Fastway (members of Mötörhead and Flogging Molly) and another rock star cameo: Ozzy Osbourne as a televangelist with a raging case of Satanic panic. —Randy Harward, Senior Staff Writer

Michael Dougherty’s cult-classic horror anthology Trick ‘r Treat tells five stories set in one neighborhood on Halloween, but the film plays like a single, twisty, non-linear narrative feature. To get the most out of the film, we suggest going into it blindly. Don’t watch the trailer, don’t look it up, and don’t ask anyone about it. Trick ‘r Treat is already one of the all-time best Halloween movies—original, darkly comedic, terrifically freaky, and immensely satisfying. It’s even better when you don’t know what to expect. And after you’ve seen it, you’ll want to watch it every Halloween. —Randy Harward, Senior Staff Writer

On Halloween night in 1987, a news team from WNUF TV28 tried contacting the spirit world from a murder house—and, uh-oh, someone picked up the phone. This found-footage movie is (of course) the only record of the ensuing carnage. Spoiler: The WNUF Halloween Special isn’t really from ‘87, but it looks the part with a 4:3 aspect ratio, low-res footage, mullets, perms, and fake commercials for pizza joints, arcades, and 900-number hotlines. In the main program, the usual unsettling found-footage stuff happens, culminating in a twist ending. —Randy Harward, Senior Staff Writer